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MUSEUM QUALITY FINE ART COPY TRUE GICLÉE PRINTING We are committed, both in skills and technology, to reproducing fine artwork by the giclée process, from the French, gicler meaning to spritz. As for its origins some twenty years ago, the name giclée was reputedly pulled out of a French dictionary by rock musician (and painter) Graham Nash to anoint the then-new Iris inkjet printer ($50K and up) as a tool for fine artists who could afford it. Whatever its origins, the term stuck to the point where even the French are using it. The giclée process reached maturity (and affordability) only in recent years. Previously, artists producing a limited edition were obliged to use lithography in which an entire edition (usually hundreds) had to be printed, signed and numbered, then properly stored, all at great expense. With the giclée process, a more modest portion of the edition (even one) can be printed initially, with more on demand. As for quality, the giclée process wins hands-down with higher resolution and more brilliant color, all on a wide range of media from the bumpiest watercolor block to real artists canvas. Unfortunately, there are many claiming to be giclée master printers, some using equipment and materials that do not meet todays standards in color brillance, resolution, and longevity. The Giclée Printers Association, of which we are a member, is a group of master printers founded to maintain standards in the field, as well as evaluate new materials and equipment as they become available. PHOTOGRAPHIC ART COPY The giclée process involves first and foremost the creation of a high-resolution digital copy of a work of art. It is important at this point to distinguish a good portfolio shot of a work of art and a digital file of that same work that is usable for reproducing the art in a way that is indistinguishable from the original. Where highlights on brushstrokes my be fine for the former, they become unwanted noise in a file to be reproduced. Ambient light flair seen by eye on a painting in a museum is tuned out by our brain, but not by the camera. In short, there is no one-size-fits-all rule for lighting and photographing art, which is in itself as much art as science. We use experience tempered by judgment and the artists input to evaluate how best to capture each image. And then for the science part, we use a direct-digital copy system employing state-of-the-art lenses and cameras including the Better Light camera system, a tool of some of the finest museums, that can produce extremely high-quality files of art.. Additionally, our direct-digital photography eliminates the generational loss (in image sharpness and color accuracy) of first copying the work onto film, then digitizing the film via drum-scanning. HOW BIG IS YOUR ART? |
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FINE ART COPY We offer art copy priced in two versions: COPY ONLY, which includes the photographic session, a CD of the full-resolution ( 300 PPI) digital file and an uncorrected 8 x 10 first proof on high-quality paper.
Copying of more than 5 paintings can be bid on an hourly basis, bringing the price down substantially. Call for estimate.. In art paper and watercolor, a border of 1 is to be added in calculating the final size. Please note that if your pring size is odd, it will be calculated at the next largest price on the table below. Print prices for copies in excess of 5 are available on request.
Canvasas larger than 40 x 60 are $.10/sq. in for the first print, $.09/sq.in. for 2-5 prints Fine art paper prints larger than 30 x 40 are $.085/sq. in. for the 1st print, $.075 for 2-5 NOTE: there is a one-time only set-up of $50 for each work. Custom Progressive Proofing: ADDITIONAL SERVICES: UV LAMINATE While not required by our canvas or ink manufacturers, we recommend these excellent toppings by either Bulldog Products or Breathing Color (applied by an auto spray gun) to add additional protection to your canvas from handling and sunlight. This adds 20% to the price of the canvas.
We accept payment with the following credit cards, money orders, or checks by arrangement.
Please note, we do not print from artists digital files without special arrangement READ MORE ABOUT: COPYING TROUBLESOME ART, PART I: NON-FLAT ART COPYING TROUBLESOME ART, PART II: SHINY PAINTINGS |
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| a division of Ron Finley Studios
31139 Via Colinas, Ste. 204 Westlake Village, CA 91362 (818)707-8070 info@penguindigitalarts.com |
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